The new cover of After I Left You

cover of After I Left You

After I Left You has a new look! This is the cover design for the paperback, which is due out at the end of July.

I hope you like it. I think it’s a beauty, and captures perfectly a certain kind of sunny afternoon, and the feeling of being free and happy in a golden place and time.

I have this song by George Ezra on the brain at the moment, and the lyrics seem at least partly apt: ‘Give me one good reason why I should never make a change…’

It’s interesting how cover designs can change over time. The initial cover for my first book, Stop the Clock, featured three pairs of legs, representing the three different characters; the career woman, the uber-mum, and the unassuming girl-next-door. This was good fun for me, as I got to help draw up the prop shopping list. In the end, though, it hit the shelves with a quite different look – the lady sipping coffee, reading her newspaper (probably checking out the column written by Tina, the career woman, which causes all sorts of problems when her friends think she is writing about them.)

Sometimes covers even feed into a book. There’s a scene in Julie Cohen’s excellent Dear Thing that involves a pair of baby shoes. Julie mentioned that she put the baby shoes into the book after she’d seen the cover design for the hardback, which featured someone holding a pair – it was too good a metaphor to miss!

BIG thank you to everyone who has said kind things about the cover of After I Left You – here are some of the comments – and thank you so much to everyone who has shared it. The response has been lovely and I’m really grateful.

 

Happy first book birthday to Stop the Clock

Dreams don’t come true without a bit of outside help; someone else has to wave the magic wand and give you permission to go to the ball. My debut novel, Stop the Clock, is published on Thursday 16 August, a big day for me which wouldn’t be in the offing without the hard work and encouragement of numerous other people along the way.

The publication of Stop the Clock represents the culmination of more than three decades of wanting to be a writer, and an awful lot of pens, printer ink and paper. I’m very grateful to my agent and to my editor and the rest of the team at my publisher, Black Swan, for transforming my manuscript into the finished book that will hit the shelves on Thursday. It’s been one hell of a ride – now for the final fast downhill run!

None of it would have happened without the back-up of my husband, the poet and writer Ian Pindar, an editor par excellence who always has a cool head in an IT crisis. Ian has a sharp eye for a redundant word, and a disciplined attitude to work that I’ve tried to emulate. It’s always very reassuring to have him look over something before sending it out into the world.

He’s also a dab hand with a camera. He took the photo of me on this blog, which makes me look at least five years less tired than I really am.

A big thank you to my ideal readers

Ian was one of the book’s first readers, but there were others who helped to get it through the early stages too. Books that give advice about creative writing often talk about how, when you’re writing, you should imagine the ideal reader, the sympathetic audience that is receptive to what you have to say, and willing you to say it. It’s a bit like the scenes in the film The King’s Speech where George VI speaks directly to his speech therapist rather than to the terrifying masses. I was lucky to have just the right reader at each stage in the development of my book. They take pride of place in the acknowledgements.

Stop the Clock is a book about friendship, and I wouldn’t have been able to write it if it wasn’t for my friends, though I’m grateful that we haven’t had quite such a fraught time as Natalie, Lucy and Tina.  Thanks are due to my family too, and my children, without whom Stop the Clock would never have got started.

My experience of working on the book over the last three and a bit years has been bound up with what has been happening in my family, in particular my son’s diagnosis with autism. It’s been a strange, intense time, but while the future is always uncertain, I think we feel much better placed to face up to it now than we did a couple of years ago. So thank you to all the people who have cared for and taught him, and advised us on how to help him, and to our lovely, supportive local community.

I’m really looking forward to the launch of Stop the Clock in our home town week after next. Finally the time has come for the book to make its way into the world! I feel like a mother on a child’s first day at school, waiting at the gate, peering at the playground and realising that what happens next is out of her hands.

Part of parenting is letting go. So goodbye and good luck to Tina, Lucy and Natalie, the three main characters who originally existed only for me and a handful of others, and now are ready to tell their stories to anyone who wants to read them.